Green Gables House Green Gables Heritage Place

Green Gables House

Known as "Green Gables," the house was the original farmhouse of the MacNeill family, cousins ​​of author L. M. Montgomery. Like many farms on Prince Edward Island, the house started small and was expanded over time as the family grew. The oldest part is the kitchen wing of the house, built by David MacNeill Sr. in 1830.

Ernest Webb Homestead: Now restored as Green Gables House, circa 1890s - XZ1 MS A097013 #75. L. M. Montgomery Collection, Archival and Special Collections, University of Guelph Library.

L. M. Montgomery, who was called "Maude" by her family and friends, grew up with her maternal grandparents, Lucy and Alexander MacNeill. She knew the land well, and years later, the MacNeill farm was the inspiration for the setting of her novel Anne of Green Gables. She named the house "Green Gables" and imagined it as the home of Marilla and Matthew Cuthbert, the characters who would become Anne's adoptive parents in the story.

Although this was the home of a real island family, the interior was decorated to match the fictional Cuthbert home. Montgomery was a very descriptive writer and painted the interior of the house very vividly in her stories. When the curators tried to accurately recreate Anne's home, they used many details from the novel to help them with the task.

The dining room on the main floor of Green Gables House.

Today, visitors to Green Gables House can walk through the rooms, glimpsing the lovingly placed details and peeking into the scenery in Anne's storybook. Those familiar with the story will recognize many things. For those unfamiliar, there are many charming things of a bygone era waiting to be discovered.

Virtual tour

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We have something for you! We have just released a virtual tour of Green Gables House.

With our new virtual exhibits from Google Arts and Culture, Parks Canada is pleased to offer Canadians and people around the world the opportunity to discover our national historic sites, national parks and national marine reserves, and learn about Canada's diverse natural and cultural heritage.

Transcript

Virtual Tour: Green Gables Heritage Place

Welcome to Canada's most famous literary landmark.

Image caption None

Explanation of the image The side of the white house with a green clog box occupies the front view of the image. The vine plants extend along the side, and the sun is reflecting on the window.

The home of a beloved fictional heroine

The Green Gables Heritage Place has become worl d-famous as the source of the stage of the stage of L. M. Montgomeri's masterpiece novel "Redhead Anne". This is located in Prince Edward Island Cavendish in Canada.

A map of Prince Edward Island shows the red pin marker on the coast near Caavendish and the Green Grebles Heritage site.

Parks Canada, the caption Green Grevels Heritage Place of the image

Explanation of the image A girl wearing a straw hat on a red braid and a white and green farmers is walking toward white and green farmers. The sunset light illuminates her face and the surrounding meadows.

Did you know?

As a matter of fact, this farm was the house of David Jr. and Margaret McNeal, the cousin of Montgomeri's grandfather. L. M. Montgomeri had never lived on this farm, but knew the farm well because he lived with his grandparents.

Parks Canada, the caption Green Grevels Heritage Place of the image

Explanation of images A landscape of Green Grebles Heritage Place. The white picket fence and the surrounding life are beautiful.

Ann, an 1 1-yea r-old orphan, decided to live with Matthew and Marila's middl e-aged brothers and sisters.

The original farmers are carefully restored and decorated to the furnishings of the room, reflecting the details and the stage of the stage in Montgomeri novels.

The experience at Green Gables Heritage Place

This heritage is operated by Canada Park. Visitors can visit the house, see experienced exhibitions at the visitor center, stroll through the site and paths that Montgomeri used to walk, and watch programs that appear with Ann and other characters. can.

Caption Green Grebles Heritage Place, Canada Park

Explanation of the image, a girl wearing a red braid and a straw hat inserts flowers into the hair of a young child. You can see the Green Grebles Heritage Place in the distance.

Step inside Green Gables

Walk inside the house, explore rooms, furniture, and related stories, and soak in the novel world and the Late Victorian dynasty.

Parks Canada, the caption Green Grevels Heritage Place of the image

Explanation of the image A girl with a red hair and a straw hat, walking towards the Green Grebles Heritage Place.

The parlour

This is the parlor. This reception, which was prepared to welcome important customers, such as when a pastor came to drink tea, is in a formal style than other houses. It was not a room that Ann used for entertainment!

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Audio caption: Parlor, Green Gables Heritage Place

Audio "Parlers are prepared to welcome visitors, such as when pastors and special guests come to drink tea, and are made in a more formal style. It was not a room used by Ann for entertainment! "

Explanation of the image 360 ​​panoramas of Green Grevels Heritage Place. Decorated wallpapers and 1900 formal style furniture are placed.

Horsehair furniture

Horse fabrics used in this sofa were often used to cover Victorian furniture because they were durable and cheap. Ann wanted to have tea with Diana and Parlor, but Marilla declared that the living room was enough for them that afternoon.

The caption horse hair furniture in the image, the Green Gables Heritage Place. Canada Park 1800/1900

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Explanation of images A wooden frame sofa with many sculptures. The couch sofa has a black sil k-like cloth, with one white doilley on both arms and the center.

Bedtime prayers

It was common in the 1800s to decorate children's prayers, like this picture published in Family Herald and Weekly Star. Ann creates the first prayer that ends with "Yours Respectory" instead of "Amen", and surprises Marilla.

Prayer at bedtime in the image, Green Gables Heritage Place. Canada Park 1800/1900

No audio caption

Explanation of the image A painting with a child who kneels on the edge of the bed, puts the palm in front, entangles fingers, and keeps the head in the bed.

Pump organ

Pum p-type organ was often found in small churches and private homes in the late 1800s. At home, it was usually placed in "parlor". Montgomeri played a pump organ at the Cavendish Great Church, where she later met her husband, Rev. Yuen McDonald's.

Image caption pum p-olgan, Green Grevels Heritage Place, Canada Park 1800/1900

No audio caption

Explanation of the image A wooden organ with a sculpture on the details, and a wooden stool placed in front of it.

The dining room

The dining room was used to hire special guests. Decorative furniture, such as official dinner table and the best dishes, was placed. Ann probably had Diana here and drank tea with miserable results!

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Dining room of audio, caption Green, Gables, Heritage Place

The audio dining room is used to hire special guests, and has more decorated furniture, such as formal dinner table and the best dishes. Ann would have enjoyed Diana here and enjoyed the miserable results!

Explanation of the image There are decorated wallpapers and Victorian furniture in the front room of the firmhouse. In the center of the room is a dining table with a pie and tea set.

Cheese Dish

In the 1800s, the people of the simple status had little clothes. Most people had dresses, suits, clothes for work and housework, and sleepwear called "Sunday Best". Matthew wore a "white collar" at a special time, such as when he met Ann at the station or when a pastor came to call.

Image caption cheese dish, Green Gables Heritage Place. Canada Park 1800/1900

No audio

A white dish with a floral pattern in the image. There are two parts, a tray and a lid.

Concertina

Consatina is an instrument that was popular in the mi d-1800s. It is similar to the accordion, but is not a rectangle but a hexagonal, the size is small, and the sound is played with a button instead of the keyboard. Diana's music lessons were paid by her aunt, but it was unlikely that the intended guidance of Consultina was because she was eager to sing a concert in the music Academy.

Image caption consolidation, Green Gables Heritage Place. Canada Park 1800/1900

Audio N ONE

Explanation of the image This is a hexagonal object, and both ends are made of wood, connected with folded materials. Both ends have cloth handles and buttons.

Stereoscope viewer

The stereoscope invented in the early 1830s is the world's first stereoscopic system. The device brought life into the image by looking at the same scene from a different angle with the right eye and left eye at the same time. It was very popular with both adults and children!

Image caption stereoscope viewer, Green Gables Heritage Place. Canada Park 1800/1900

No audio

Explanation of the image A goggl e-shaped object with a wooden pic k-up holder.

Matthew's room

This was Matthew's room. Matthew used a bedroom on the main floor because it was difficult to get rid of the stairs due to heart disease. Kitchen and bedrooms were not unusual. It was close to a warm wood stove, and it was a room for sick and pregnant women.

Image caption: None

Audio Matthew's Room, Green Gables Heritage Place

Voice caption This room represents the Matthew's room in the novel. Although it was a small room, it was better for his health, close to the heat source of the kitchen and on the main floor because the stairs could not go up due to heart disease!

Explanation of the image A 360 panoramic of a small bedroom beside the corridor.

Matthew's walking cane

Matthew, a hard worker, may have sometimes supported his body using such a simple stic k-like "stick". The onc e-fashioned sticks have evolved from a height symbol to a standard walking assistant for elderly people, injured, and weak people. Matthew's Sunday Vest

In the 1800s, the people of the simple status had little clothes. Most people had dresses, suits, clothes for work and housework, and sleepwear called "Sunday Best". Matthew wore a "white collar" at a special time, such as when he met Ann at the station or when a pastor came to call.

Image caption Matthew's cane, Green Gables Heritage Place, Canada Park, 1800/1900

A wooden cane with a han d-handed hook on the tip of the image.

Mathews Sunday best

In the 1800s, the people of the simple status had little clothes. Most people had dresses, suits, clothes for work and housework, and sleepwear called "Sunday Best". Matthew wore a "white collar" at a special time, such as when he met Ann at the station or when a pastor came to call.

Green Gables Heritage Place, the Sunday vest of caption Matthew in the image. Canada Park 1800/1900

Explanation of the image A black hat, vest, pants placed on the bed.

The kitchen

As is still the case, the kitchen was the center of the Victorian dynasty's house. The wood stove placed there was a housework, cooking, making sweets, and the heat and hot water for bathing. The family ate most meals in the kitchen, and the most common workshop was here or nearby.

No image cation

Audio caption kitchen, Green Gables Heritage Place

The audio kitchen was at the center of the house: The wood stove was warm, boiled water for housework and cleaning, and was used to make meals and baked goods. It was almost here that my family had a meal.

Explanation of the image 360 ​​-degree photos of a kitchen with a wood stove.

Cooking Stove

Marila's "Ol d-fashioned Waterlou Stove" was quite gorgeous in the late 1800s. The New Waterloo No. 2 was manufactured in Sacville, New Branzwick. The firewood burned in the compartment below warmed the cooking surface and the baking oven (top) to supply home heat.

Green Grebles Heritage Place, a stove for cooking captions.

Parks Canada 1800/1900

Fainting couch

Image Description A large cast iron stove with four worktops for boiling kettles and cooking stews. This "New Waterloo No 2" model was made in Sackville, New Brunswick.

In the mid-1800s, fainting couches and daybeds were all the rage. One theory is that women in tight corsets collapsed onto them to catch their breath, hence the curvaceous couch. A kitchen couch was a good place for sick people and a very attractive place for a nap!

Image Caption Fainting couch, Green Gables Heritage Place. Parks Canada 1800/1900

Woodbox

Image Description A small dark leather couch with a wooden frame and one arm.

A wood box was where firewood was stored to fuel the stove. In Victorian homes, wood stoves needed to be kept running all the time (even in summer), so having firewood handy stored inside made life a little easier. Firewood was fed into the firewood box from a firewood shed or woodshed outside.

Image caption Firewood box, Green Gables Heritage Place. Parks Canada 1800/1900

The dairy porch

Image description A wooden box painted white. The top door is open to reveal the wood stored inside.

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Image caption None

No audio

Audio None

Audio description The dairy porch was used for the more tedious household chores of making butter and cheese, doing the laundry, and washing the dishes. Anne would have helped Marilla with her chores here.

Butter churn

Image description 360 degree view of a dairy porch with the kitchen equipment necessary for heritage-era life.

Butter churns are used to make butter from cream. The plunge churn is the most common style, but there were also paddle, barrel and even rocking chair churns! A wand (plunger) inserted into the top of the churn is moved up and down repeatedly through the cream to produce butter.

Image caption Butter churn, Green Gables Heritage Place. Parks Canada 1800/1900.

The pantry

Image description A large clay pot with a long wooden handle protruding from a small hole in the lid.

No image caption

Image caption None

Audio caption Pantry, Green Gables Heritage Place

Audio The second work room leading off the kitchen was the pantry. It was used to store dry goods, clean dishes, and cooking utensils. It was located near the wood stove and was a practical work room that could be used for food preparation and other household chores.

Mouse trap

Image description A 360-degree view of the pantry, showing dry foods stored off to the side of the kitchen.

Multi-mousetraps like these from the 1800s were installed in homes to catch many pests at once. The pantry contained sugar, flour, molasses, and other baking and cooking supplies that were especially attractive to mice.

Image caption Mousetrap, Green Gables Heritage Place. Canada Parks 1800/1900

Pressing irons

Image Description A circular wooden object with small holes around it and a metal spring on top.

Ironing was hard work! The "sad iron" was made of sturdy metal, weighed as much as 9 pounds, and had to be heated over a fire or stove. This lighter rod-like model, called a goffering iron, was designed for use on dress and shirt collars.

Image Caption Pressing iron, Green Gables Heritage Place. Canada Parks 1800/1900

Antique floor sweeper

Image Description Three iron objects with a flat surface and handles.

In the 1800s, companies began making more affordable carpets, and carpets became more common in homes. It's no surprise that carpet cleaners and mechanical brooms also became popular in homes, as they made cleaning carpets so much easier!

Image Caption Antique floor cleaner, Green Gables Heritage Place. Parks Canada 1800/1900

The kitchen

Image Description A long wooden handle with a red metal end.

Image caption None

Image Caption None

Audio Caption: The kitchen, Green Gables Heritage Place

Audio The kitchen was the most used area on the first floor, and would have been the most used, as it was the warmest space in the house unless special guests were being entertained. Marilla and Matthew had many discussions about Anne in the kitchen.

Cherry pitter

Image Description A 360-degree view of the kitchen near the front window of the house. A table and sofa occupy a corner at the back of the room.

Many simple kitchen tools were designed and perfected in the late 1800s. Cast-iron cherry pitters, like this one, could remove the stones from cherries without crushing the fruit. Although initially popular, they probably didn't save much time making preserves or pies!

Image Caption Cherry Pitter, Green Gables Heritage Place. Parks Canada 1800/1900

Apple peeler

Image Description A cast-iron device with a table clamp and a rotating handle.

The first apple peelers were patented in the early 1800s. Apple peelers were also often used to peel potatoes, as peeling potatoes with a knife was a tedious task. No wonder simple crab apple preserves like Marilla's were popular!

Image Caption Apple peeler, Green Gables Heritage Place. Parks Canada 1800/1900

Raspberry cordial

Image Description A cast-iron device with gears, blades and a rotating handle.

Non-alcoholic berry drinks like cordials were common in the 1800s, usually reserved for special occasions or guests. Anne was meant to serve Diana raspberry cordial when she came for tea. Unfortunately, she accidentally served her gooseberry wine, which turned out to be a completely different drink!

Image Caption Raspberry cordial, Green Gables Heritage Place. Parks Canada 1800/1900

Entry hall

Image Description A clear glass bottle with red liquid inside.

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Image caption None

Anne's room

Image description The front entrance with the stairs leading to the upper floor of the house.

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Image caption None

Audio caption Anne's Room, Green Gables Heritage Place

Audio As described in the novel, Anne's room was the "East Gable Room" of Green Gables, and after she moved in, "the whole character of the room changed" and became much more lively and vibrant. Anne often lamented in her bedroom, but she also often slept soundly here!

Puffed-sleeve dress

Image description A 360-degree view of Anne's room with the closet door open and the bed in place.

Anne begged Marilla for a dress with puff sleeves, but to no avail. Matthew noticed that Anne's dress was different from the other girls', so he asked Mrs. Rachel to make Anne a "stylish" dress with puff sleeves for Christmas!

Image Caption Puff Sleeve Dress, Green Gables Heritage Place. Parks Canada 1800/1900

Anne's satchel

Image Description A long, rust-colored silky dress with two large puffs on each sleeve.

Carpetbags were invented in the 1800s for practical and necessary use, not style. They were similar to modern suitcases and were used as a way to securely carry luggage. In Anne's case, her carpetbag contained "all her worldly goods," even if it was shabby and old-fashioned.

Image Caption Anne's Satchel, Green Gables Heritage Place. Parks Canada 1800/1900

Slate

Image Description A small cloth bag with a leather handle. The fabric is frayed and has a print that appears to be floral.

In the 1800s, because paper was expensive, children would practice writing on mini chalkboards made of slate. One day at school, Gilbert teased Anne by calling her a "carrot!" Infuriated, she hit him over the head with the slate, breaking it. Isn't it funny that she kept it?

Image caption: Slate, Green Gables Heritage Place. Parks Canada 1800/1900

Wallpaper

Image description A small, square piece of slate with a wooden border. The slate has crumbled into pieces.

Anne's love of apple blossoms was evident from her first drive down "the white road of delight." When she first arrived at Green Gables, the walls of the east gable room were bare, so she imagined them "hung with tapestries of gold and silver brocade." She then covered the walls with "dainty apple-blossom paper."

Image Caption Wallpaper in Anne's Room, Green Gables Heritage Place. Canada Parks 1800/1900

Marilla's room

Image Description White wallpaper with a floral pattern. The flowers are pink and yellow, the stems green.

No image caption

Image Caption None

Audio Caption Marilla's Room, Green Gables Heritage Place

Audio Marilla's room is simple and tidy, just like she was. She was very happy with the basics and believed that "bedrooms were made for sleeping in," not for making a mess.

Marilla's shawl

A simple interior room on the second floor of the Farm House of the caption Green Grebles Heritage Place.

Shawl played a role in cold protection, but it was very fashionable, and it was perfect when it was troublesome to put a coat even if the temperature was high. Marila had a dressy shawl at the church and women's assistance association afternoon, and a basic shawl at home.

The caption Marilla shawl, Green Gables Heritage Place. Parks Canada 1800/1900

Marilla’s glasses

Explanation of the image A thin black fabric with a long bunch, folded on a bed.

Marila often complained of eyestrain and headache. The specialist examined her and said to stop working on a burden. He was also careful not to cry, and was told to wear special glasses to relieve headaches and prevent blindness.

The caption Marila's glasses in the image, the Green Gables Heritage Place. Canada Park 1800/1900

Marilla's brooch

Explanation of the image A small metal glasses.

The best treasure in Marilla was the brooch of the Amethyst. When it was gone, she claimed that Ann had forgotten. In order to go to a picnic on Sunday school, Ann lied to have lost on a shining water lake. Eventually, it was found in Marilla's shawl.

The caption Marila brooch, Green Gables Heritage Place. Parks Canada 1800/1900

Marilla's hairpins

Explanation of the image A gol d-shaped brooch with pink jewelry in the center.

When the hairpin was popular, Marila had black hair (with gray hair muscles) with a more practical wire pin. She had black hair "solidified". Women sometimes used hairpins differently depending on the situation.

The caption Marila's hairpin, Green Gables Heritage Place. Canada Park 1800/1900

The guest room

Explanation of the image A set of gol d-brown both arm hairpin.

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Voice caption: Green Gables Heritage Place guest room

The audio guest room was decorated to hire special visitors, and when Anne arrived, it was "out of the question for stray dog ​​-like ronin". However, when Anne visited Diana's great aunt Josephin Barry's house in Charlotown, he was advised to "sleep in a bed in the most empty room."

Spool bed

Explanation of the image: 36 0-degree images of a room with a white frame bed on the second floor of the firmhouse.

The Victorian dynasties of the Singl e-rolled furniture were often made in the late 1800s and are still popular. Family families often confirmed that the beds in the vacant room were comfortable and beautiful, but they were not as comfortable as guests.

Image caption spool bed, Green Gables Heritage Place. Canada Park 1800/1900

Chamber pot

Explanation of the image A quilted blanket on a white bed frame.

The flush toilet appeared in the 1800s, but the bed frame was white and blanket. The flush toilets began to appear in the 1800s, but the Chamber Pot was common until the mi d-1900s.

Image caption chamber pot, Green Gables Heritage Place. Lucy Mode Montgomeri 1800/1900

Passageway to the sewing room

Explanation of the image A white pot with a handle and a lid. Flowers are also displayed on both sides of the pot and the top of the lid.

Sewing room, Green Gables Heritage Place

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The sewing room

Explanation of the image. You can see the sewing door door.

Sewing room, Green Gables Heritage Place

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Audio caption sewing room, Green Gables Heritage Place

Audio sewing rooms were often used to make clothing and daily necessities. The basic repair and patchwork that Ann had to do may have been done in another place, such as a warm kitchen.

Cotton dress

Explanation of the image The image 360 ​​of the sewing room with an antique machine is placed.

When he arrived at Green Gables, he said, "I was wearing a very short, very tight, very ugly, yellowish gra y-ti n-colored dress." Marila prepared the third new "good quality, sensible, practical dress", of which one of them was "ugly blue shade."

Image caption cotton dress, Green Gables Heritage Place. Canada Park 1800/1900

Treadle sewing machine

Explanation of the image A long dress with a blue pattern on the front button on a red wooden chair.

The stiler sewing machine raises and lower and lower the stepless with the feet. The sewing machine was often placed near a large window to use natural light. Women made most of their family clothes at home.

Image caption polymer sewing machine, Green Gables Heritage Place. Canada Park 1800/1900

Umbrella yarn swift

Explanation of the image This is a metal sewing machine attached to a wooden desk, with a metal pedal for moving the sewing machine in the center.

This umbrella brim design from the 1600s has wool and wool wool, and is used to roll it in a ball. This name was named because it resembled the ribs of the umbrella. With this tool, you don't have to prepare someone who has spread your hands!

Image caption umbrella stand, Green Golds Heritage Place. Canada Park 1800/1900

The hired boy`s room

Explanation of the image A wooden umbrella stand on the table. There are multiple ribs similar to the inside of the umbrella and can be adjusted.

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Rope bed

Explanation of the image A 36 0-degree image of the room on the stairs where a small bed is placed.

Rope beds need to be supported by crossing the cross under the dried grass and straw mattress, and it is necessary to pull every night to maintain comfort so that the mattress does not slide to the floor. Straw mattresses are easy to get insects, so there is a proverb that says, "Sleep soundly and not be stabbed by naps."

Image caption rope bed, Green Gables Heritage Place. Parks Canada 1800/1900

Cheese boxes

Explanation of images A wooden bed frame. The rope is out of the end, and when you pull it, it is tightened. A simple gray blanket is laid on the bed.

The cheese became widespread in the 1800s, and it was not surprising that wooden cheese boxes were created almost at the same time, and cheese could be transported far and nearby. It was mainly used for transporting cheese, but such a wooden box was also excellent as a storage space.

Image caption cheese box, Green Gables Heritage Place. Canada Park 1800/1900

Thank you for visiting!

Explanation of the image two circular boxes made of wood

Credits: Story

If you can enjoy a virtual tour, please visit.

Credits: All media

The phrase enclosed in the quotation in the description is a quote from "Redhead Anne". Parks Canada has obtained permission from L. M. Montgomeri's heirs to publish this content on Google Alts and Culture.

Historic Centre of Cordoba (Spain)

The story listed is created by an independent third party, and does not necessarily indicate the following statements that provide content.

Historic building attributes

"The era of Cordoba's most prosperous, began in the 8th century after the conquest of the Moans, 300 mosques, and countless palaces and public buildings, comparable to Constantinople, Damaskas, and Bagdad. In the era of Saints Ferdinand III, a large mosque of Cordoba was renovated into a cathedral, and a new defense building centered on Alkasal de Ross Ross Christianos and Torle Fortalesa De La Calahola. It was.

"Cordoba has developed organically and continuously for more than 2, 000 years, and as a result, many of the buildings in Cordoba are continuous changes in tastes and styles, reconstruction after destruction, and changes in use. ""

The Mosque of Cordoba

World Heritage Committee, 38th session. (2014). Document WHC-14/38. com/8E Adoption of RetroSpective StateMents of Outstanding Universal Value, P. 128-129.

  • There are hundreds of cultural and historically important buildings in the historic area, but the most outstanding monuments in the city are big mosques and are now called mosque cathedrals. This mosque, the central entity of the Islamic city, was registered as a World Heritage Site in 1984 (in 1994, it was registered as a World Heritage Site, including the historical area). It is a symbolic monument of Islamic religious architecture, a unique artificial performance, an experimental site of architectural technology, and a witness of Islamic in Western Europe. It is characterized by the parallel culture and architectural style, and it also contains elements that were rare in Islamic religious architecture:
  • Its size and ceiling height;
  • Double arch supporting the roof on the nave;
  • A combination of poly eg g-shaped archs intertwined with Rib Vallt, which gives Maxura's ensemble with stability and solidness;
  • Combined use of stones and bricks, reuse and integrate Rome and West Goat techniques, reusing pillars of previous architecture;

"Honeycomb", which is a characteristic of the art of the calif era, is different from the Corinthians.

Mosque design and layout were later expanded and changed in the third century under Islam. In 1236, the mosque was rebuilt as a Christian cathedral. From 1523 to 1599 during the Renaissance period, the maximum renovation and expansion were performed, and it became the current space structure. The building has been used as a Christian Catholic cathedral. Façade of the Mosque and Cathedral © Ayuntamiento de Cordoba

Interior of the Mosque © Ayuntamiento de Cordoba

"The great model of the traditional courtyard of Cordoba and the inspiration for other courtyards is the courtyard of the Great Mosque-Cathedral. This large courtyard, one of the oldest open spaces in Cordoba, developed in parallel with the expansion and renovation of the temple. From the time of its construction, it combined a religious function with the role of the main square of the city.

The courtyard is known as the Patio de los Naranjos (Courtyard of the Orange Trees), after the orchard planted there in the 16th century. Today, the Patio de los Naranjos is a pleasant courtyard overlooked by the bell tower of the Cathedral, including its old minaret. The courtyard is divided into three squares, each with its own fountain and filled with orange, cypress and palm trees." Cordoba City Council

Other important structures

Courtyard of the Mosque and Cathedral © Ayuntamiento de Cordoba

Between the 8th and 13th centuries, about 300 mosques were built in the city of Cordoba. After the Christian Conquest in 1236, the buildings were reused and the old minarets became bell towers for new churches. In the 13th century, new churches were built in a hybrid Gothic-Mudejar style, such as the Church of San Francisco, the Church of San Nicolás and the Chapel of San Bartolomé. In the Jewish quarter, a synagogue was built in the 14th century and survived to the present day after being reused for various purposes. San Francisco y San Eulogio Church, By Sergei Gussev, CC BY 2. 0, via Flickr
A local perspective: Parish churches of Cordoba

Mudejar Castle of San Bartolome, By Martin Furtschegger, CC BY 3. 0, via Wikimedia Commons

Civic monuments

Many of the parish churches built after the Castilian conquest of Córdoba were built on top of mosques; in fact, some of their towers reuse the old minarets from which the call to prayer was made. Today, most of these buildings play an important religious and community role, as well as tourist, and remain the heart of the city's historic districts. These churches have distinctive features, such as their fortress-like appearance, rose windows in the façades (San Lorenzo, San Pablo, Santa Marina, etc.), a mixture of Romanesque, Gothic and Mudejar architectural styles, and in some cases Baroque spaces (San Agustín, San Francisco, etc.). The parish churches follow a unique model that gives their neighborhoods an architectural and monumental identity.

Most civic halls that have survived to the present day date from the 16th century onwards. Among them are the late Gothic San Jacinto Hospital (now the Palace of Conferences and Exhibitions), the San Pelajo Seminary, the Páez de Castillejo family mansion and the Marquis of Fuensanta del Valle mansion, all built in the 16th century. Other important structures, such as the Cardenal Salazar Hospital, date from the 18th century.

Traditional housing

In addition, other monuments such as the "Triunfos de San Rafael" (the city's decorative columns) and the "Puerta del Puente" gate also serve as elements that define the public space.

Besides civil and religious monuments, the urban fabric of the Historic City of Córdoba is largely made up of traditional dwellings belonging to different styles and periods, which have maintained a high degree of authenticity in terms of form, design, materials and uses.

"The two residential typologies that coexist in the historic centre are defined by their architectural features and the way of inhabiting. Due to the aristocratic character of the Medina, at least since the Islamic period, many ancestral and noble houses are scattered throughout the city. More modest dwellings are found in the periphery, in the Jewish quarter or in the area of ​​the axelquia. However, both types of dwellings have elements in common, especially in relation to the architecture centered around the patio, which is the central element of the Cordovan dwelling and a defining element of the local culture and the way of inhabiting the city."

World Heritage Recommendation 313bis, p. 40.

A local perspective: the way of life in courtyard houses

The best example of Cordoba's housing style is a c o-house built around the water and planted courtyard (Casa Pattio). The courtyard adapts the Roman residence to Cordova's climate and cultural conditions, providing lighting, ventilation and coolness during the summer. The courtyard is a communal space and the center of family life. Other architectural styles include Casa Solariegas (ancestral houses) and corales (Nagaya).

Contribution by Cordoba City Council.

Cordoba's courtyard is diverse and conveys the memories of various civilizations living in this city. Currently, the traditional courtyard model in Cordoba has a dark entrance hall, which is a multifunctional organs of a house that incorporates light from the courtyard and supplies light and wind to the house. The walls are painted in white, and the pavement is composed of small cobblestones, forming an artistic pattern of not only decorated functions, but also evaporate the moisture of the ground and cool the atmosphere. In the oldest courtyard, there is a well that pumps water from the basement. In addition to this, there are flowers and plants such as lemon trees, jasmine, ivyselanium and aromatic plants, which play a role in decorations, shady provisions, and insect repellent. The traditional community lifestyle with Cordoba's courtyard can give many elements and inspiration to the current and future society. In such a space, inhabitants not only grow plant and fruit trees, but also nurture relationships with others, relationships with local communities, and relationships with the whole neighborhood. The center of the courtyard is a person. In a lifestyle with a courtyard, the shared environment is given priority. This tradition has created a concept of lif e-based and coexistence, despite being born from a simple community with shared space.

Attributes of urban elements

Located in Palacio de Biana Axelquia, the ancestors of the nobles consisting of a continuous courtyard, which symbolize the development of Cordoba's courtyard for the 5th century. The 12 courtyards in the palace account for almost 4, 000 m2 out of the total area of ​​6, 500 m2. The reception courtyard [PATIO DE RECIBO] is a Renaissance-style courtyard, a symbol of the noble pedigree of this house, by Hermann Junghans, CC B-SA 3. 0, VIA Wikimedia Commons < Span> The best example of Cordova's residential style. Is a joint house built around the courtyard (Casa Pattio) with water and planting. The courtyard adapts the Roman residence to Cordova's climate and cultural conditions, providing lighting, ventilation and coolness during the summer. The courtyard is a communal space and the center of family life. Other architectural styles include Casa Solariegas (ancestral houses) and corales (Nagaya).

Contribution by Cordoba City Council.

Cordoba's courtyard is diverse and conveys the memories of various civilizations living in this city. Currently, the traditional courtyard model in Cordoba has a dark entrance hall, which is a multifunctional organs of a house that incorporates light from the courtyard and supplies light and wind to the house. The walls are painted in white, and the pavement is composed of small cobblestones, forming an artistic pattern of not only decorated functions, but also evaporate the moisture of the ground and cool the atmosphere. In the oldest courtyard, there is a well that pumps water from the basement. In addition to this, there are flowers and plants such as lemon trees, jasmine, ivyselanium and aromatic plants, which play a role in decorations, shady provisions, and insect repellent. The traditional community lifestyle with Cordoba's courtyard can give many elements and inspiration to the current and future society. In such a space, inhabitants not only grow plant and fruit trees, but also nurture relationships with others, relationships with local communities, and relationships with the whole neighborhood. The center of the courtyard is a person. In a lifestyle with a courtyard, the shared environment is given priority. This tradition has created a concept of lif e-based and coexistence, despite being born from a simple community with shared space.

Located in Palacio de Biana Axelquia, the ancestors of the nobles consisting of a continuous courtyard, which symbolize the development of Cordoba's courtyard for the 5th century. The 12 courtyards in the palace account for almost 4, 000 m2 out of the total area of ​​6, 500 m2. The reception courtyard [PATIO DE RECIBO] is a Renaissance-style courtyard, a symbol of the noble pedigree of this house, by Hermann Junghans, CC B-SA 3. 0, VIA Wikimedia Commons, the best example of Cordova's housing style. It is a c o-house built around the courtyard (Kasa Pattio). The courtyard adapts the Roman residence to Cordova's climate and cultural conditions, providing lighting, ventilation and coolness during the summer. The courtyard is a communal space and the center of family life. Other architectural styles include Casa Solariegas (ancestral houses) and corales (Nagaya).

Contribution by Cordoba City Council.

Cordoba's courtyard is diverse and conveys the memories of various civilizations living in this city. Currently, the traditional courtyard model in Cordoba has a dark entrance hall, which is a multifunctional organs of a house that incorporates light from the courtyard and supplies light and wind to the house. The walls are painted in white, and the pavement is composed of small cobblestones, forming an artistic pattern of not only decorated functions, but also evaporating the moisture of the ground and cooling the atmosphere. In the oldest courtyard, there is a well that pumps water from the basement. In addition to this, there are flowers and plants such as lemon trees, jasmine, ivyselanium and aromatic plants, which play a role in decorations, shady provisions, and insect repellent. The traditional community lifestyle with Cordoba's courtyard can give many elements and inspiration to the current and future society. In such a space, inhabitants not only grow plant and fruit trees, but also nurture relationships with others, relationships with local communities, and relationships with the whole neighborhood. The center of the courtyard is a person. In a lifestyle with a courtyard, the shared environment is given priority. This tradition has created a concept of lif e-based and coexistence, despite being born from a simple community with shared space. Located in Palacio de Biana Axelquia, the ancestors of the nobles consisting of a continuous courtyard, which symbolize the development of Cordoba's courtyard for the 5th century. The 12 courtyards in the palace account for almost 4, 000 m2 out of the total area of ​​6, 500 m2. The reception courtyard [PATIO DE RECIBO] is a Renaissance-style courtyard, a symbol of the noble pedigree of this house, by Hermann Junghans, CC B-SA 3. 0, Via Wikimedia Commons.
A local perspective: Streets and squares of Cordoba

"In the Cordoba History District, different cultural groups, such as Rome, West Goat, Islam, Jewish, and Christ, have occupied and left traces for thousands of years. It reflects the complexity of the 8th and 10th centuries, which is the main city of the western world and the greatest Islamic city.

World Heritage Committee, 38th session. (2014). Document WHC-14/38. com/8E Adoption of RetroSpective StateMents of Outstanding Universal Value, P. 128.
Calle Cruz Conde

The Cordoba History District is characterized by a dense and homogeneous urban structure originating in the Middle Ages, and has a narrow and twisted road, which emerges religious and citizen monuments. The genuineness of the historical area lies in the processing of the city, background, architectural tradition and technology, and public space.

You can still see the various development periods of this city, which has been built over many years. All archeological sites in the Roman cities, the Medina of the Islamic era, the Jewish district (Yudelia) can be read. Roman remains include a 1 6-span bridge built in the 1st century BC, an alkasal mosaic, a pillar of the 1st century of the BC, and a part of the Roman walls. Minaret, a worship area built during the Islamic era, is still existing and used as a church bell tower built later.
Calle de la Hoguera

"The culture of reuse is also located in areas outside the site of the World Heritage Site. In Axelchia, which was built in the 9th century, a church was built in a place where the mosque was once after conquering Christianity. The minalet remains as a bell tower, and some of these narrow roads have been stored, but the only major exception. Most of the gates and surrounding walls have been demolished, and churches, hospitals, and monasteries in the districts like Santiago and Santiago are still in the medieval Christ. It reminds me of the glory of the city. "

Contribution by Cordoba City Council
Calle Judíos

Kalahora Tower and Roman Bridge © Ayuntamiento de Cordoba

Squares

Donated by Cordoba City Council.
Plaza de la Corredera

Roman Forum inscription on Cruz Cond e-Street © "AYUNTAMIENTO A CORDOBA"

Calle Cruz Conde is a commercial street in the city center where modern buildings are lined up. It was built in the early 20th century, but lies on some of the Roman Folo Romano archeological sites. This historic overlap is appearing in the pavement on the street due to changes in colors, letters, and symbols. The brass band shows archeological archeological sites such as the corridor of the Foro Romano, and the travertin marble plate shows the route of the former Roman wall.
Plaza de Capuchinos

Hogera Street © AYUNTAMIENTO DE CORDOBA

The Calle de la Hoguera, located near the mosque cathedral, reminds me that the place where it is currently known as a Jewish town, it was a Medina in the Umaya dynasty. is. This is a typical layout of an Islamic city, and the width of this street is finally 2 meters. It spreads, narrows like a maze, and the direction has changed. A small minaret of Andalusia Mosque, built during the Al Andalus era, stands out in this quiet alley.
Plaza del Potro

Judios Street © AYUNTAMIENTO DE CORDOBA

Artistic impressions
The Kaje Judios (Jewish Street), located in the former Jewish district, is lined with white walls with a narrow bent. Most of the names, layouts, and houses in the house are proofs of the Sepaldi people living in the area. There are important monuments on this street, such as the former Sinagogg, Cordova's athletics, philosopher, and tribute to Mimonides, a medieval doctor. Coledella © Ayuntamiento de Cordoba The only traditional rectangular main square in the southern part of the Iberian Peninsula is located in the center of Cordoba History. The name of Cordoba De La Corredera is derived from a bullfighting held here in the 17th century. 400 years later, Juan Quenka, an architect and artist, was remodeled in consideration of the square as a "city courtyard." He has restored the color of the baroque era, such as red, ocher, and greenery, to facade, and designed a street furniture influenced by history, tradition, archeology, and local materials. Today, this square is full of neighbors, hostels, large food markets, and bars. Cappuccino Square © AYUNTAMIENTO DE CORDOBA The Capuccino Square was a private land garden in the 16th century, a carriage courtyard in the mansion, and after that, because it was a monastery courtyard. The construction of pebbles and white walls laid on the ground tells the religious past. Captinos Square is different from other squares in Cordoba. In the words of local poet Ricardo Molina, it is a "lime and sky rectangle." In the center of the square, there is a sculpture of Cristo de LOS FAROLES. Many monks and elderly people who live nearby visit this square. Potro Square © Ayuntamiento de Cordoba It is one of the oldest square in Cordoba, and is the most literary square, as appearing in Chapter 3 in Don Quijote. It is derived from buying and selling horses and donkeys, which have been the center of Picaresque activities since the Middle Ages. The remnants of the former activities were foas in a octagonal fountain, built in 1577 to develop water for local residents. Currently, the square is the center of important culture, and the museum, the Fulio Romero de Torres Museum, and the Flamenco Museum are looking down on the square.

Jeronimo Paes Square (formerly Palisos Square) © Rafael Obrero Guisado

Typically © Rafael Obrero Guisado

Coledella Square © Rafael Obrero Guisado

The best example of Cordoba's housing style is a c o-house built around the water and planted courtyard (Casa Pattio). The courtyard adapts the Roman residence to Cordova's climate and cultural conditions, providing lighting, ventilation and coolness during the summer. The courtyard is a communal space and the center of family life. Other architectural styles include Casa Solariegas (ancestral houses) and corales (Nagaya).

Natural elements: gardens and water

By Birio © Rafael Obrero Guisado

A local perspective: water and nature in Cordoba

The best example of Cordoba's housing style is a c o-house built around the water and planted courtyard (Casa Pattio). The courtyard adapts the Roman residence to Cordova's climate and cultural conditions, providing lighting, ventilation and coolness during the summer. The courtyard is a communal space and the center of family life. Other architectural styles include Casa Solariegas (ancestral houses) and corales (Nagaya).

View of the city from the riverbank © AYUNTAMIENTO A CORDOBA
Green areas

"The border between Cordoba's historical center and modern cities is the current road that matches the arrangement of old walls. This fact is from the late 19th and early 20th century. It has protected the center of the target, and the sidewalk is running along the old town, which is like an open space in Cordova. < SPAN> Cappuccino Square was a portrait courtyard in a mansion in the 16th century, and since it was a monastery courtyard, it was a religious land. It is a rectangle of Cordova, Ricarda Morina, which tells the past. In the center of the square, there is a sculpture of Cristo de LOS FAROLES. Many monks and elderly people who live nearby visit this square.

Potro Square © Ayuntamiento de Cordoba
Hydraulic heritage

It is one of the oldest square in Cordoba, and is the most literary square, as appearing in Chapter 3 in Don Quijote. It is derived from buying and selling horses and donkeys, which have been the center of Picaresque activities since the Middle Ages. The remnants of the former activities were foas in a octagonal fountain, built in 1577 to develop water for local residents. Currently, the square is the center of important culture, and the museum, the Fulio Romero de Torres Museum, and the Flamenco Museum are looking down on the square.

Jeronimo Paes Square (formerly Palisos Square) © Rafael Obrero Guisado

Typically © Rafael Obrero Guisado

Interactive mapping

Coledella Square © Rafael Obrero Guisado

Attributes of the wider setting of the city or settlement

The Guadalquivir valley

Senka Square © Rafael Obrero Guisado

Contribution by Cordoba City Council.

Sun Andres © Rafael Obrero Guisado

View of the city from the riverbank © AYUNTAMIENTO A CORDOBA

"The border between Cordoba's historical center and modern cities is the current road that matches the arrangement of old walls. This fact is from the late 19th and early 20th century. It has protected the center of the target, and the sidewalk is running along the old town, which is like an open space in Cordova. The Capuccino Square was a place of a carriage in a large mansion in the 16th century, and since it was a monastery's courtyard, it was previously a religious past. It is a lime and sky rectangle in the words of Cordova's Square. In the center of the square, there is a sculpture of Cristo de LOS FAROLES. Many monks and elderly people who live nearby visit this square.

Potro Square © Ayuntamiento de Cordoba It is one of the oldest square in Cordoba, and is the most literary square, as appearing in Chapter 3 in Don Quijote. It is derived from buying and selling horses and donkeys, which have been the center of Picaresque activities since the Middle Ages. The remnants of the former activities were foas in a octagonal fountain, built in 1577 to develop water for local residents. Currently, the square is the center of important culture, and the museum, the Fulio Romero de Torres Museum, and the Flamenco Museum are looking down on the square.
A local perspective: The living landscape of the Guadalquivir River and Sierra Morena

"In the Cordoba History District, different cultural groups, such as Rome, West Goat, Islam, Jewish, and Christ, have occupied and left traces for thousands of years. It reflects the complexity of the 8th and 10th centuries, which is the main city of the western world and the greatest Islamic city.

Typically © Rafael Obrero Guisado

Coledella Square © Rafael Obrero Guisado

Senka Square © Rafael Obrero Guisado

By Birio © Rafael Obrero Guisado

Intangible heritage values

Sun Andres © Rafael Obrero Guisado

View of the city from the riverbank © AYUNTAMIENTO A CORDOBA

The courtyard is known as the Patio de los Naranjos (Courtyard of the Orange Trees), after the orchard planted there in the 16th century. Today, the Patio de los Naranjos is a pleasant courtyard overlooked by the bell tower of the Cathedral, including its old minaret. The courtyard is divided into three squares, each with its own fountain and filled with orange, cypress and palm trees." Since 1986, Cordoba has been reviewing the Municipal Administration's Changes and Corporate City Development Plan (PGOU), a means for future plans, and has mainly focused on the protection of historical cities and coexistence with the present. 。 These measures against abandonment and destruction are different from what happened in other heritage cities in the surrounding areas, but in Cordoba, there is currently no unpopular city spralling, and it is a good preserved, good preserved state of Cordoba. Successful to save it as a city. In the early 21st century, Cordova's population reached 351, 000, and in 2003 the special historical protection plan was approved in parallel with PGOU. These plans include Cordova City's issues. First, save and improve, but do not transform, then residents in the historical center, strengthen proximity, balance sightseeing and residence, and have a city to respond to global warming. Greening again, and the speculation is to promote the reconstruction culture in contrast. "

Contribution by Cordoba City Council.

The connection between the historical area and the Guadal Kibu River is an important part of the city's characteristics. Roman Bridge tells the original appearance of the Roman city, connecting the historical area and the site of the Karahora tower. The alkasal garden near the mosque cathedral is a good example of the Moor e-style Andalcian garden design. There is also a Califal Bath site nearby.

Contribution by Cordoba City Council.

Alkasal Garden © AYUNTAMIENTO DE CORDOBA

The biggest garden is the former royal palace, Alcasal de Ross Royes Christianos garden. Although most of them are limited for sightseeing, they have a modern design inspired by Islamic design. On the other hand, the old orchard of Sun Pablo monastery is popular with local residents. It is located on the Roman circus and the 13th century suburbs.

Alborafia water wheel © AYUNTAMIENTO DE CORDOBA

A local perspective: the way of life of courtyard houses.

The best example of Cordoba's housing style is a c o-house built around the water and planted courtyard (Casa Pattio). The courtyard adapts the Roman residence to Cordova's climate and cultural conditions, providing lighting, ventilation and coolness during the summer. The courtyard is a communal space and the center of family life. Other architectural styles include Casa Solariegas (ancestral houses) and corales (Nagaya).

In the early 21st century, Cordoba's population reached 351, 000, and in 2003 the special historical protection plan was approved in parallel with PGOU. These plans include Cordova City's issues. First, save and improve, but do not transform, then residents in the historical center, strengthen proximity, balance sightseeing and residence, and respond to global warming. Greening again, and the speculation is to promote the reconstruction culture in contrast. "

Contribution by Cordoba City Council.

The connection between the historical area and the Guadal Kibu River is an important part of the city's characteristics. Roman Bridge tells the original appearance of the Roman city, connecting the historical area and the site of the Karahora tower. The alkasal garden near the mosque cathedral is a good example of the Moor e-style Andalcian garden design. There is also a Califal Bath site nearby.

PAX: People at the heart of the Cordoba courtyard

Contribution by Cordoba City Council.

Alkasal Garden © AYUNTAMIENTO DE CORDOBA

The biggest garden is the former royal palace, Alcasal de Ross Royes Christianos garden. Although most of them are limited for sightseeing, they have a modern design inspired by Islamic design. On the other hand, the old orchard of Sun Pablo monastery is popular with local residents. It is located on the Roman circus and the 13th century suburbs.

Alborafia water wheel © AYUNTAMIENTO DE CORDOBA

The Guadal Kibeer water wheels scattered along the flow of the river passing through the Cordoba used the power of water during the Roman, Arabs, and the Christian era to crush the grains. 11 of them exist. The San Antonio Waterfunction is currently the Sotos de La La Alborafia Interpritement Center. Since 1986, Cordoba has been reviewing the Municipal Administration's Changes and Corporate City Development Plan (PGOU), a means for future plans, and has mainly focused on the protection of historical cities and coexistence with the present. 。 These measures against abandonment and destruction are different from what happened in other heritage cities in the surrounding areas, but in Cordoba, there is currently no unpopular city spralling, and it is a good preserved, good preserved state of Cordoba. Successful to save it as a city.

In the early 21st century, Cordoba's population reached 351, 000, and in 2003 the special historical protection plan was approved in parallel with PGOU. These plans include Cordova City's issues. First, save and improve, but do not transform, then residents in the historical center, strengthen proximity, balance sightseeing and residence, and respond to global warming. Greening again, and the speculation is to promote the reconstruction culture in contrast. "

Contribution by Cordoba City Council.

The connection between the historical area and the Guadal Kibu River is an important part of the city's characteristic. Roman Bridge tells the original appearance of the Roman city, connecting the historical area and the site of the Karahora tower. The alkasal garden near the mosque cathedral is a good example of the Moor e-style Andalcian garden design. There is also a Califal Bath site nearby.

Contribution by Cordoba City Council.

Alkasal Garden © AYUNTAMIENTO DE CORDOBA

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Elim Poon - Journalist, Creative Writer

Last modified: 27.08.2024

I revisited Green Gables Heritage Place in Prince Edward Island to find out how the newer Anne adaptations on Netflix had affected the. Green Gables Heritage Place features the original house and farmyard, gardens and walking trails, and a beautiful exhibit hall. That's where my love of Anne and fascination with LM Montgomery began. Today I visited the Green Gables Heritage House for the first time in many years and I.

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